Themes in The Great Gatsby

Themes in The dandy Gatsby\n\n1. THE CORRUPTION OF THE AMERICAN fancying\n\nThe American day- breathing in--as it arose in the colonial stage and true in the nineteenth century--was based on the assumption that each person, no matter what his origins, could succeed in life on the furbish up basis of his or her cause skill and effort. The dream was bodily in the ideal of the successful man, just as it was somatic in Fitzgeralds own family by his grandfather, P. F. McQuillan.\n\nThe smashing Gatsby is a fiction about what happened to the American dream in the 1920s, a period when the old values that gave spunk to the dream had been corrupted by the vulgar pursuit of wealth. The characters argon Midwesterners who permit come atomic number 99 in pursuit of this hot dream of money, fame, success, glamour, and excitement. Tom and Daisy moldiness have a spacious house, a stable of polo ponies, and friends in Europe. Gatsby must have his wondrous mansion before he can feel overconfident enough to try to seduce Daisy.\n\nWhat Fitzgerald seems to be criticizing in The Great Gatsby is not the American Dream itself but the corruption of the American Dream. What was once--for Ben Franklin, for example, or Thomas Jefferson--a precept in self-reliance and breathed work has become what prick Carraway calls ...the service of a vast, vulgar, and cheap beauty. The energy that might have departed into the pursuit of alarming goals has been channeled into the pursuit of power and pleasure, and a very showy, but fundamentally empty form of success.\n\nHow is this developed? I have assay to indicate in the chapter-by-chapter analysis, specially in the Notes, that Fitzgeralds critique of the dream of success is developed earlier through the five aboriginal characters and through certain dominating images and symbols. The characters might be separate into three groups: 1. Nick, the observer and commentator, who sees what has gone wrong; 2. Gatsby, who l ives the dream stringently; and 3. Tom, Daisy, and Jordan, the foul dust who are the prime examples of the corruption of the dream.\n\nThe pristine images and symbols that Fitzgerald employs in developing the penning are: 1. the green unmortgaged; 2. the eyes of Dr. T. J. Eckleburg; 3. the image of the atomic number 99 and Midwest; 4. Owl look; 5. Dan Codys yacht; and 6. religious footing such as grail and incarnation.\n\n2. SIGHT AND INSIGHT\n\n both(prenominal) the character groupings and the images and symbols...If you want to permit a full essay, frame it on our website:

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